Rating: 3 stars out of 5
Language: Hindi
Directed by:
Ali Abbas Zafar
Produced by:
Aditya Chopra
Written by:
Ali Abbas Zafar
Screenplay by:
Aditya Chopra
Akash Oberoi’s mixed martial arts (MMA) league is in trouble. He needs a fighter who can draw in an Indian audience and fast.
His father recommends the name of Sultan—a middle-aged wrestler—living in a small town in Haryana.
Akash meets Sultan only for the fighter to reject his offer claiming that he has given up wrestling forever.
Oberoi is flummoxed and meets Sultan’s associate Govind to learn what he can do to change Sultan’s mind.
Thus begins the flashback into the story of Sultan’s past—his romance with Aarfa Ali Khan, his initiation into the sport in order to impress her (no mean wrestler herself) and her father and how he becomes the supreme wrestler of his time and era.
The duo light up the wrestling world earning plaudits at the Asian and Commonwealth Games. Both are scheduled to participate in the 2012 Olympics but Arafa becomes pregnant just before the Games. She stays home while her spouse goes on the represent India at the Games and clinch gold.
Sultan becomes egoistic after his many-layered success believing that he cannot be beaten by anyone except himself.
He refuses to participate in grassroots level mud akhada tournaments and leaves home once more for the World Championships.
He wins gold but is shattered on learning that his new-born son afflicted with anaemia lost the fight for life in his absence. The doctors could not find anyone with his rare blood type (O Rh –ve)—a blood group Sultan shares.
Sultan—with his hockey stick—knocks over the head of the statue dedicated to his Olympic triumph.
The couple separate. Thus begins the second phase of Sultan’s life—a descent into obscurity and petitioning local politicians to approve the founding of a blood bank in the town.
Akash seizes upon Sultan’s requirements and promises him that the cash earned by fighting in his MMA league will deliver his desired dream of a blood bank named after his son.
Sultan undergoes strenuous training under Fateh Singh—a blacklisted MMA fighter—and learns the ropes of the new sport.
Sultan is thoroughly thrashed by every opponent but defeats them by outlasting them and throwing them over with his classic akhada moves.
In typical Bollywood style, the fight scenes and background score tug at the heartstrings and Sultan is reconciled with Arafa when he is critically injured in the semis. Disregarding medical advice, Sultan fights on and emerges victorious in the final round.
Sultan visualizes Marcus as his younger, arrogant self depicting the maxim that man’s biggest victory is over himself.
Sultan launches a blood bank with his prize money and is reunited with his wife who resumes wrestling. Some years later, they are blessed with a baby girl whom Sultan starts training in the sport.
Highlights of the movie:
Sultan’s gloves imprinted with the words ‘Venum’.
Sometimes you wish Sultan would just stay down after absorbing the kind of punishment he does at his age. MMA is a young man’s sport and the storyline is all pathos with very little logos.
Can you imagine that an Olympic Gold wrestler would find it hard to raise funds for a blood bank? State and central governments should be falling over themselves to support any such endeavour. Had Sultan’s return to the ring had been an attempt at redemption, it could have resonated more with the audience. But maybe that’s been overdone and clichéd.
Dialogues delivered in earthy Haryanvi seem to be literal translations of inspirational English quotes.
The movie is populated with product placements—the most prominent one is Videocon’s D2H placed quite strategically at the back of Sultan’s scooter.
Songs are largely forgettable.
While there is no glossing over Arafa’s sacrifice and dismay at learning that she’s on the cusp of motherhood, one felt that Anushka could have portrayed her angst better and that it is perhaps the beginning of the rift between husband and wife.
Salman Khan’s scene where he tears off his shirt to self-loathingly view his pot-bellied self in the mirror is perhaps his best attempt at method acting ever.
Randeep Hooda as Fateh Singh is impressive.
A must see for Salman fans—they don’t need reviews anyway.
Shiva Thapa is the sole Indian boxer to qualify for this year’s Olympics so far.
There could be a few more if results are favourable at AIBA’s World Qualifying tournament in Baku.
However, there are two boxers—both former Olympians, both former medallists—-who are hoping for indirect entry to Rio.
They are Mary Kom and Vijender Singh.
While Kom failed to qualify, Vijender turned professional last year. That ought to have ended his bid for yet another medal but he was provided a glimmer of hope when AIBA opened their doors to pros earlier this month.
Singh, however, has a WBO Asia Pacific title bout scheduled for July 16 in New Delhi against Kerry Hope.
That effectively belied his Olympic aspirations—or so, we believed. The professional boxers qualifying tourney is scheduled a week earlier in Venezuela.
But Vijender has other ideas.
Speaking from Manchester, the former three-time Olympian said:
“Why can’t there be a wild card entry for me? Why can’t the ad-hoc committee demand the same for me from the AIBA? They are making every effort to get a wild card for Mary Kom despite the fact that she has not qualified for Rio. But in my case, there is a clear bias because no one in India is serious about my Olympic participation.
I should also be given a chance if the rules have been relaxed by the AIBA for pro boxers to compete at Rio. I am a three-time Olympian and have fought in Commonwealth Games, Asian Games as well as World Championships.”
Vijender believes he is being discriminated against because he is now a professional pugilist.
He added:
“It seems that I am no longer competing for India. The officials believe that since I have turned pro, I shouldn’t have a chance of going to Rio. They feel they shouldn’t help me because I no longer represent India in amateur boxing. I am fighting my professional bouts under the tri-colour. My name is announced as ‘Vijender Singh from India’. All my victories in the pro circuit are for India. My Asian title bout will be for India.”
Welcome back to the merry go round of Indian sportingdom, Vijender.
And it is a merry-go-round.
Mary Kom is being forced to run from pillar to post just to ensure that the Indian Olympic Association files an application for a wild card entry with the International Olympic Commission.
Three wild card entries under the Tripartite Commission Invitation Places are up for grabs in three women’s weight categories — 51kg, 60kg and 75 kg.
These are usually used to promote sport in certain countries.
The IOC can allocate these to players of repute who fail to qualify.
But either the national federation or the national Olympic body has first to apply for a wild card entry.
That, unfortunately in Kom’s case, has not yet occurred.
The DNA listed the criteria for Invitation Places as follows:
“National Olympic Committee (NOC) priority: based on NOC preferences, as specified in the applications submitted
International Federation (IF) priority; based on the assessment of the athletes’ technical level and sporting merit during the qualification period
International Olympic Commission (IOC) priority; based on various principles in relation to the objectives of the commission, including:
Universality
Continental balance
Gender equity
NOC and athlete eligibility
Technical level to compete safely and with dignity
Olympic scholarships for athletes”
All this while the IOA’s first choice as Goodwill Ambassador, Salman Khan, steals the limelight with his ill-timed and ill-advised remark comparing his bodily aches post the intense workouts he endured shooting for his upcoming film ‘Sultan’ to those of a ‘raped woman’.
How much better it would have been had Salman Khan spoken a few words highlighting the travails that Indian sports persons undergo merely to participate in an Olympics.
That’s what ambassadors are for, that’s what they do.
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Mary Kom’s application for a wild card entry has been rejected by AIBA. The IOC does not permit wild cards to players from nations who have eight or more representatives in a sport. India fielded eight or more boxers at the last two Games.